Kia Hotbots

Kia is promoting the 2014 Kia Forte in “Hotbots”, a Super Bowl XLVII television commercial featuring 2011 Miss USA Alyssa Campanella. The all-new 2014 Kia Forte is designed for those who love technology. And nobody loves technology more than sexy high-tech robots. Two beautiful hotbots unveil the new Forte at a press event. Things take an unexpected turn after one reporter gets a little too close to their prized possession and decides to kick the tires. Let’s just say he learns an important lesson: Always respect the tech.

Kia Hotbots

“Hotbots” is scheduled to air during the third quarter of Super Bowl XLVII on February 3 and introduces the technology-laden Forte, which will offer the next iteration of Kia’s hands-free infotainment and telematics system, UVO eServices, when it goes on sale in the coming months. The Super Bowl spot is part of a fully integrated marketing campaign incorporating TV, digital, print, social media and in-dealership components.

Kia Hotbots Credits

The Kia Hotbots ad was developed at David&Goliath by chief creative officer David Angelo, executive creative director Colin Jeffery, creative directors Gary DuToit and Eron Broughton, associate creative director/copywriter Greg Buri, associate creative director/art director Basil Cowieson, executive producers Carol Lombard and Paul Albanese.

Filming was shot by director Carl Erik Rinsch via MJZ with director of photography Robert Elswit, executive producer Kate Leahy, producer Line Postmyr, production designer Robbie Freed.

Editor was Kirk Baxter at Rock Paper Scissors with executive producer Carol Lynn Weaver, producer Toby Louie, assistant editor Nate Gross. Colorist was Stefan Sonnenfeld at Company 3. Post production was done at Method Studios by VP production Gabby Gourier, executive producer Stephanie Gilgar, producer Pip Malone, VFX coordinator Zack Whitley, VFX supervisor Benjamin Walsh, 2D supervisor Dominik Bauch, CG supervisor Blake Sweeney, modeling leads Lersak Bunuparadah and Greg Stuhl, rigging supervisor Yakov Baytler, layout/tracking supervisor Fabio Zapata, roto/paint artist Stephanie Sweeney.

Sound was designed at Hammers Project by sound designer Johannes Hammers and mixed at Lime Studios by mixer Loren Silber with executive producer Jessica Locke.